Andrea del Sarto
b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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Andrea del Sarto Holy Family oil painting


Holy Family
1520(1520) Oil on wood Width: 105 cm (41.3 in). Height: 129 cm (50.8 in). cjr
Painting ID::  78322 		Andrea del Sarto
Holy Family
1520(1520) Oil on wood Width: 105 cm (41.3 in). Height: 129 cm (50.8 in). cjr
   
   
     
Andrea del Sarto Opferung Isaaks oil painting


Opferung Isaaks
ca. 1527(1527) Oil on panel 213 x 159 cm cjr
Painting ID::  78397 		Andrea del Sarto
Opferung Isaaks
ca. 1527(1527) Oil on panel 213 x 159 cm cjr
   
   
     
Andrea del Sarto Virgin and Child in Glory with Six Saints oil painting


Virgin and Child in Glory with Six Saints
ca. 1528(1528) Medium Oil on wood cyf
Painting ID::  78509 		Andrea del Sarto
Virgin and Child in Glory with Six Saints
ca. 1528(1528) Medium Oil on wood cyf
   
   
     
Andrea del Sarto Disputation on the Trinity oil painting


Disputation on the Trinity
1517(1517) Medium Oil on wood cyf
Painting ID::  78541 		Andrea del Sarto
Disputation on the Trinity
1517(1517) Medium Oil on wood cyf
   
   
     
Andrea del Sarto Portrait of the Artists Wife oil painting


Portrait of the Artists Wife
between 1513(1513) and 1514(1514) Medium Oil on panel cyf
Painting ID::  78693 		Andrea del Sarto
Portrait of the Artists Wife
between 1513(1513) and 1514(1514) Medium Oil on panel cyf
   
   
     
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     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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